He began to work within two worlds, one that operated in his own vision and perception and the other which he created in his attempts to relate to the rest of the world. This disconnect later ruptured a fascination with the unknown and he began to feverishly occupy his mind with the fundamental understanding of a chromatic world.
Tennessee's inability to distinguish most hues has never swayed him from creating art. If any thing, his disconnect from this in his early years made him obsessed with the forming of patterns, objects and shapes. He became attracted to the destruction of white space and became captivated with the idea of filling anything lacking in form with pattern.
Later in life, he began attaching color to his subjects as he learned in color theory books which hues complimented or contrasted each other appropriately.
He also communicates hue choices through an objective and synesthetic nature. The essence of his work is largely dedicated to the emotional pull and story telling element of color, expression, and pattern, and mostly importantly, the crossing of the senses.